Ahmet Izzet

Panel written in Jali Tariq Gubari script, complete 83 Verses of the Chapter (36) sūrat yā sīn , undated but signed Ahmet Izzet , 27 x 40 cm

Photography/ Text © Antik A.S. JOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.

Mehmet Nuri Sivasi dated 1341/1922

Quranic vers panel, written in Taliq Gubari script, signed,dated 1341/1922, 40x50cm


Photography/ Text © Antik A.S. JOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.

Hilya by Macid Ayral (1891-1961)

Photography/ Text © Antik A.S. JOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.

SAD KALIMA (THE HUNDRED SAYINGS OF IMAM 'ALI), SHIRAZ, PERSIA, TIMURID, DATED A.H. 845/A.D.1441 & A.H. 848/A.D. 1444

Arabic manuscript on paper, 38 leaves, 11 lines or fewer to the page, written in naskhi and muhaqqaq scripts in black ink on buff paper, subheadings in gold outlined in black, two illuminated and polychrome headpieces with titles in gold kufic within scrolling floral cartouches, dated twice, in circa 16th century Ottoman gilt-stamped binding.

28 by 18cm.

Photography/ Text © S.Sotheby´s

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AN ILLUMINATED OTTOMAN QUR'AN, COPIED BY AHMED NAILI OF GALATA

AN ILLUMINATED OTTOMAN QUR'AN, COPIED BY AHMED NAILI OF GALATA (D.1813), TURKEY, DATED A.H. 1193/A.D. 1779

Arabic Manuscript on paper, 303 leaves, 15 lines to the page written in neat naskhi script in black ink, ruled in a thick gold border, verses separated by gold rosettes with coloured dots, sura headings in white against gold ground cartouches with coloured floral decoration, illuminated marginal devices comprising flowerheads issuing sprays in colours and gold, tenth verses marked with a gold 'ashr' in the margin, double page frontispiece decorated with enjoined coloured flowers against blue and gold grounds, the text within cloudbands against a punched gold backgound, within a contemporary gilt-stamped morocco binding with marbled-paper doublures and flap.

20 by 13cm.


Photography/ Text © Sotheby´s

JOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.

ILLUMINATED QUR'AN LEAF IN KUFIC SCRIPT

A LARGE ILLUMINATED QUR'AN LEAF IN KUFIC SCRIPT, NEAR EAST OR NORTH AFRICA, LATE 9TH CENTURY

Text: surat al-baqara (II), part of verse 187
.Arabic manuscript on vellum, 7 lines to the page writen in elongated kufic script in brown ink with vocal points represented by red, yellow and green dots, wide untrimmed outer margins.

text area: 23.5 by 14.3 leaf: 36.5 by 27.1cm.


Photography/ Text © Sotheby´s

JOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.

AN OTTOMAN RED-GROUND SILK AND METAL-THREAD TEXTILE PANEL

AN OTTOMAN RED-GROUND SILK AND METAL-THREAD TEXTILE PANEL, TURKEY OR EGYPT, DATED 1911

of rectangular form, the silk red-ground embroidered with silver-gilt metal thread, with a calligraphic inscription framed in a lobed cartouche


38 by 46cm.


Photography/ Text © Sotheby´s

JOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.

A GILDED AND ENAMELLED GLASS MOSQUE LAMP

A GILDED AND ENAMELLED GLASS MOSQUE LAMP, MADE FOR ABBAS HILMI PASHA (1874-1944), DATED A.H. 1328/ A.D. 1910


of characteristic form with angled rounded body and wide flaring mouth on a short foot, the body with six applied lug handles, two wide inscriptive bands around the neck and base in blue enamel with gilded ebellishment, the lower inscription interspersed with three roundels giving the name of 'Abbas Helmi in red enamel, the body with floral cartouches between the handles in blue enamel above a cloud band of gilded dots


33.8cm. height 26cm. diam.




Photography/ Text © Sotheby´s

JOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.

AN OTTOMAN WOVEN SILK CALLIGRAPHIC TEXTILE

AN OTTOMAN WOVEN SILK CALLIGRAPHIC TEXTILE, TURKEY, 18TH CENTURY

the dark red silk ground woven with cream silk thread, divided by horizontal chevrons into a series of alternating wide and narrow bands decorated with calligraphic inscriptions in vigorous .muhaqqaq., with cartouches flanked by two roundels on each side, mounted on board

116.4 by 71.3cm.


Photography/ Text © Sotheby´s

JOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.

OTTOMAN GILT-STAMPED LEATHER BINDINGS

TWO OTTOMAN GILT-STAMPED LEATHER BINDINGS, TURKEY, MID-16TH AND 16TH/17TH CENTURY
.

.The larger binding with gold block-stamped border and central scalloped medallion with dense foliate decoration, red doublures with corner panels and central medallion of fine gold filigree work on blue ground, outlined in gold; the smaller binding of a similar design, the gold stamped borders with some flowers in red.

45.5 by 26.4cm. max. 25.3 by 17cm. max.



Photography/ Text © Sotheby´s

JOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.

A CALLIGRAPHIC PANEL BY HAFIZ OTHMAN

A CALLIGRAPHIC PANEL BY HAFIZ OTHMAN, TURKEY, DATED A.H. 1093/A.D. 1681 AND A DECORATIVE STUDY IN THE FORM OF A TUGHRA, TURKEY, 19TH CENTURY

Arabic manuscript (Hadith) on paper heightened with gold, 5 lines of text written in naskhi script in black ink on cream paper, two side panels decorated with gold flowers and use of blue, signed and dated in the left panel, scrolling floral borders ruled in gold; the larger with tughra design in gold on stout paper interspersed with blue leafy scrolling flowers.

20.6 by 13.2cm; 35 by 27.7cm.

Photography/ Text © Sotheby´s

JOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.

AN OTTOMAN CALLIGRAPHIC PANEL SIGNED BY SALIH RUSHDI

AN OTTOMAN CALLIGRAPHIC PANEL SIGNED BY SALIH RUSHDI, DATED A.H. 1256/A.D. 1840, AND PRAYER BOOK, TURKEY, 19TH CENTURY

Arabic manuscript on paper, 12 lines to the page written horizontally and diagonally in cartouches and cloud bands against grounds of blue and gold with floral decoration, ruled in gold with a wide blue outer margin; the prayer book with 89 leaves, 13 lines to the page written in black naskhi script, 3 illuminated headpieces in blue and gold, illustrations of Mecca and Medina heightened with gold, in leather binding with gilt floral decoration.

26.9 by 22.2cm; 17.7 by 12.2cm.


Photography/ Text © Sotheby´s

JOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.

AN ILLUMINATED ALBUM PAGE OF CALLIGRAPHY

AN ILLUMINATED ALBUM PAGE OF CALLIGRAPHY: SURAT AL-FATIHA, BY GHOLAM REZA, PERSIA, QAJAR, DATED A.H. 1284/ A.D. 1867

Ink, gouache and gold on paper, 6 lines of fine nasta'liq script in black ink within cloud bands filled with interlacing vines, and interspersed with polychrome flowers, headpiece with panels of coloured and gold foliate cartouches, signed lower left, laid down on an album page with coloured scrolling borders, ruled in blue, red and gold.

central panel: 23 by 12.3cm. leaf: 35 by 23cm


Photography/ Text © Sotheby´s

JOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.

Halim Özyazici [b.1898-d.1964]

AH 1355 (1936), 26.00 x 48.50 cm, dated1936
Signed

Provenance

Formerly in the Sevket Rado Collection
Sold Spring 2008 at auction in Istanbul

Literature and References

Rado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.

Photography/ Text © Portakal Sanat ve Kültür Evi

JOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.

Moalla Calligraphic Style

Moalla calligraphy is based on the calligrapher’s own subjective and imaginative interpretation of various calligraphic styles which influence the new style indirectly as visual models.

Nevertheless, a calligraphic style is considered as such when it follows the traditional calligraphy and previous known principles governing the form, and letter and word format. Moalla style is also based on the same principles of calligraphy and respects the rules governing the traditional calligraphy. This explains why the new style (Moalla) shares clear similarities with other calligraphic styles. The graphic aspect of Moalla style does not divert it from the traditional course of calligraphy, rather it makes it possible for the other arts to use the new style in better ways.


Characteristics of Moalla style:

• Using the entire potential of the calligraphic pen in writing (using all sides), which leads to increased clarity and conveys solidity.


• sudden and abrupt transfer of strength to weakness which creates extreme contrast in thickness.


• The possibility of creating complicated compositions in asymmetrical forms.
  Conveying more passion and rapture, as compared to other traditional styles, plus an epic spirit and excitement.


• The possibility of changing the proportions and sizes of the letters and ascending lines to fit for various compositions.


• Independence in terms of teaching and learning (there is no need to know other styles in order to learn Moalla)


• Possibility of use in Modern architectural spaces.


• Creating curves and changing the base of words in any given composition and/or line without effecting the proportion and base of the entire composition. (In other words, there is the possibility of writing in the reverse direction and/or changing the angles of letters within one or more words.)


• Other points relating to details are better understood in close verbal discussions.

It is of course useless to compare Moalla style with other known calligraphic styles. Each calligraphic style needs to be studied in reference to its aims and goals. As a new movement strongly based on tradition, Moalla style does not claim superiority over other styles. It simply follows the same rules and can make contributions according to its own limitations and potentials.

Provenance

Collection of Hamid Ajami

Photography/ Text © Hamid Ajami

JOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.

"Circirli" Ali [b.?-d.1906]

panel, dated AH 1290 (1873), 35.00 x 29.00 cm, signed

Provenance

Formerly in the Sevket Rado Collection
Sold Spring 2008 at auction in Istanbul

Literature and References

Rado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.

Photography/ Text © Portakal Sanat ve Kültür Evi

JOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.

Macit Ayral [b.1891-d.1961]

panel, dated AH 1346 (1927), 18.00 x 34.00 cm, signed

Provenance

Formerly in the Sevket Rado Collection
Sold Spring 2008 at auction in Istanbul

Literature and References

Rado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.

Photography/ Text © Portakal Sanat ve Kültür Evi

JOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.

Hulusi Yazgan [b. 1869-d.1940]

panel, AH 1350 (1931), 26.00 x 60.00 cm, signed

Provenance

Formerly in the Sevket Rado Collection
Sold Spring 2008 at auction in Istanbul

Literature and References

Rado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.

Photography/ Text © Portakal Sanat ve Kültür Evi

JOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.

Muhsinzade Abdullah [b.1832-d.1894]

panel, dated, AH 1303 (1885), 43.00 x 87.00 cm.
Signed

Provenance

Formerly in the Sevket Rado Collection
Sold Spring 2008 at auction in Istanbul

Literature and References

Rado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.

Photography/ Text © Portakal Sanat ve Kültür Evi

JOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.

Ismail Hakki Altunbezer b [.1873-d.1946]

panel, dated AH 1351 (1932), 59.00 x 54.00 cm.
signed

Provenance

Formerly in the Sevket Rado Collection
Sold Spring 2008 at auction in Istanbul

Literature and References

Rado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.

Photography/ Text © Portakal Sanat ve Kültür Evi

JOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.